Mahler’s Symphony No. 2 – Resurrection

Gustav Mahler, as a composer was a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. A 2016 BBC Music Magazine survey of 151 conductors ranked three of Gustave Mahler symphonies in the top ten symphonies of all time.

KBP
Gustav Mahler 7 July 1860 – 18 May 1911

Leonard Bernstein conducts this performance of Mahler’s “Symphony No. 2” with soloists Lucine Amara and Jennie Tourel, the Schola Cantorum, and the New York Philharmonic Orchestra. It was a memorial tribute for President John F. Kennedy who had been assassinated two days earlier in Texas.

Bernstein had prepared remarks. These were his words: “My dear friends, last night the New York Philharmonic and I performed Mahler’s Second Symphony — The Resurrection — in tribute to the memory of our beloved late President. There were those who asked: Why the Resurrection Symphony, with its visionary concept of hope and triumph over worldly pain, instead of a Requiem, or the customary Funeral March from the Eroica? Why indeed? We played the Mahler symphony not only in terms of resurrection for the soul of one we love, but also for the resurrection of hope in all of us who mourn him. In spite of our shock, our shame, and our despair at the diminution of man that follows from this death, we must somehow gather strength for the increase of man, strength to go on striving for those goals he cherished. In mourning him, we must be worthy of him. I know of no musician in this country who did not love John F. Kennedy. American artists have for three years looked to the White House with unaccustomed confidence and warmth. We loved him for the honor in which he held art, in which he held every creative impulse of the human mind, whether it was expressed in words, or notes, or paints, or mathematical symbols. This reverence for the life of the mind was apparent even in his last speech, which he was to have made a few hours after his death. He was to have said: “America’s leadership must be guided by learning and reason.” Learning and reason: precisely the two elements that were necessarily missing from the mind of anyone who could have fired that impossible bullet. Learning and reason: the two basic precepts of all Judaistic tradition, the twin sources from which every Jewish mind from Abraham and Moses to Freud and Einstein has drawn its living power. Learning and Reason: the motto we here tonight must continue to uphold with redoubled tenacity, and must continue, at any price, to make the basis of all our actions. It is obvious that the grievous nature of our loss is immensely aggravated by the element of violence involved in it. And where does this violence spring from? From ignorance and hatred– the exact antonyms of Learning and Reason. Learning and Reason: those two words of John Kennedy’s were not uttered in time to save his own life; but every man can pick them up where they fell, and make them part of himself, the seed of that rational intelligence without which our world can no longer survive. This must be the mission of every man of goodwill: to insist, unflaggingly, at risk of becoming a repetitive bore, but to insist on the achievement of a world in which the mind will have triumphed over violence. We musicians, like everyone else, are numb with sorrow at this murder, and with rage at the senselessness of the crime. But this sorrow and rage will not inflame us to seek retribution; rather they will inflame our art. Our music will never again be quite the same. This will be our reply to violence: to make music more intensely, more beautifully, more devotedly than ever before. And with each note we will honor the spirit of John Kennedy, commemorate his courage, and reaffirm his faith in the Triumph of the Mind.”

Here is Mahler’s “Resurrection Symphony” for JFK, November 24, 1963.